
Bailey is the main draw of the bridal dress shop on Main Street in the tiny Oklahoma town of Mendol – but not just for her seamstress skills. No, much to her dismay, knowledge of Bailey’s gift of seeing deep into the hearts of those she touches has leaked to most of the women of the town. So when the wealthy Elsa Grimes comes into the dress shop for her fitting, Bailey believes Elsa has the same motive as the rest. And although she is not completely wrong, Elsa’s situation is just a bit more complicated than most. As the two women develop a friendship, they learn they have a connection that goes beyond what they form themselves.
This novel begins well. Even while the premise involves the ability of one character to see into the future to some degree – something I generally avoid – it maintains a quality of realism that grounds the characters in a relatable way. And through about three quarters of the book, the plot likewise develops along a thread in a mostly logical and reasonable way. But gradually, the narrative sort of falls off the rails, becomes more and more cliche or problematic, at least for me. There is a melodramatic murder arrest mid-engagement party, a rape pregnancy that suddenly isn’t so traumatic, and, oh, the evaporation of worry over a mixed-race couple in a state where a longing glance could result in arrest. It is all too perfect, too honky-dory. Just as not-realistic as seeing one’s future or deep in their hearts by a touch to their skin, in my mind. And just as disappointing.
So while it begins well, the ending is just too absurd. It may have that “feel good” quality, but it is neither valid nor believable. I wouldn’t bother with this one if I were you.
There are just too many other “greats” to read the “not-so-greats,” aren’t there?