In looking for something different to read, I stumbled upon this thriller from the 1980’s, which was so much more substantive and nuanced than I ever imagined.
It begins in 1919, when Will Henry Lee is appointed the Chief of Police in the tiny town of Delano, Georgia. Things are fairly quiet until the first body turns up – that of a young boy, naked, with suspicious marks on him. This case is niggling at him but life goes on and he is forced to move on with the times. As the years pass, the case becomes buried deeper and deeper in layers of race, power, politics, and in simple human nature and the ultimate resolution is a shock to everyone.
This story is so carefully delivered, over time, even over generations, and the reader’s patience is rewarded with an exquisitely intricate plot. There is a horrifying overlay of the deep south’s history of racial bias which, sadly, is quite poignant and relatable today. So too, are the political power plays, the small town alliances, and injustices. Timeless, apparently.
The writing, too, is sharp and clear, with poignant dialogue and a few great scenes. My particular favorite scene is one in which the wife of Billy, Will Henry’s son, buys a shotgun and shows what a woman can do all by herself to protect herself from the nasty Klansmen who are out to get her and her husband. I won’t give it all away, but I’d say that scene alone is worth reading the book for!
This book is a definite page-turner and one that will stay with me for awhile. I’m not sure it’s a “must read” but it’s close!
Miranda Schuyler has just arrived back home to Winthrop Island to hide away from her life just a bit. She just wants some quiet, to try to repair her relationship with her mother and her half-sister – if possible – and to heal, both physically and emotionally. What she doesn’t expect is that on arriving back here, all of her memories and the emotions tied to them would come flooding back as well. And with them, much of her understanding of her world might just be turned upside-down.
Beatriz Williams creates the most wonderful female characters – they are strong, smart, witty, and often rebellious without ever losing their femininity or grace. They are characters who drive the plot, who outwit the demons, and who, while we guess will be victorious in the end, we never know exactly how. There are always clever plot twists and there are sometimes dark details, but there is always a lightness and humor in the telling. And Miranda, with her story, certainly falls in line with this pattern.
Williams also utilizes the shifting of voices and of time to build the story from various vantage points. I love this technique. I find this builds suspense and keeps the motion of the story moving forward, even when we’re essentially hearing backstory. It enriches both the story and the people in it and deepens our understanding of both. Because sometimes it isn’t the “what” that is the mystery of the story but the “why” – and here is a good example of that.
I really enjoyed this book – and am hoping to read all of her books at some point!
This is a love story that starts, ironically, when the world feels like it might end – in New York City, on 9/11/01. Lucy and Gabe feel it too – they reach for each other, barely knowing each other, and then it’s over. But years later, when they meet again, the spark is reignited, and this begins a heartbreaker for Lucy that she endures quite in spite of herself.
The voice is what is unique in this story and I think is what engages the reader. It is written from Lucy to Gabe, almost as a letter, which gives it a very intimate feel. On the other hand, because we only hear Lucy’s voice, it can sometimes feel one-dimensional. There is no layering of the plot, but rather a single-mindedness of the narrative becomes almost droning as the novel progresses.
What is more deeply troubling about this novel, however, is that once again, the outwardly independent female character is bound to a male character and jumps to his beck and call each and every time. I felt myself literally growing angry as Lucy again and again fell into this same pattern. While Lucy does not go with Gabe when he needs to travel for his life work – hurrah for her – she then pines for him throughout the rest of the book, answering his calls whenever he deigns to reach out and dropping everything for him when he needs her. (Really? We’ve not moved past that?). And while she notices when her new boyfriend, Darren, makes plans without her input- and gets angry about it – she never stands up to him or says anything about it. Why can’t our female characters be unequivocally strong? I’m tired of this.
I think this book was off to a great start, and had great potential but was just disappointing on multiple levels. Oh, well!
Markus Zusak, the author of The Book Thief, has proven once again to be part writer, part poet, and part craftsman in his newest, breathtaking novel. The story is about 5 brothers who are raising each other, the parents who raised them first, and the complicated history of how these parents came to be. It is a story of love and relationships and loss and not really coping and, well, trying to cope; And while its a bit of an effort to get to know each of the characters at first (as in real life), it’s ultimately well worth the time.
The narrative here is stunning – and must be appreciated for its understated beauty. There is raw emotion and silence and pain and beauty and love and everything in between that is utterly palpable and with a feeling of air between each word so that the reader has time to experience each of these right there beside each character. Each word, each sentence is painstakingly chosen and there is poetry on each page of this prose. By the later chapters, the reader feels the characters are so real that one might just walk in and sit on the couch and watch the bad, 1980’s movies with the boys and tussle with them as they do with each other. And the love of storytelling by the main character, Clay, allows for the actual storyteller, Matthew (the oldest brother) to switch gracefully back and forth between the boys’ adventures and the parents’ earlier experiences so that have the privilege of getting to know all of them.
But be warned – it is a slow start and a bit beyond midway it feels like it is finished when it is not. This book requires patience and calm. But like most things in life, patience is heartily rewarded here. I literally could not speak for awhile after reading the ending of this story, feeling absolutely washed over by its utter warmth and love.
This is a masterpiece of subtlety and a very large poem of the heart.
I hope will allow yourself the privilege of loving it as I did.
Harit does not imagine how he will ever escape the droll and bizarre routine of his life, working in Men’s Accessories in a department store with the tedious and talkative Teddy, and then on returning home each day, having to dress as his dead sister for his mother to appease her denial of the death. This just seems to be his life. Likewise,, on the other side of their Cleveland suburb, Ranjana is questioning how she should adapt to what she has found on her husband’s search history on their shared computer, which suggests the possibility of an affair. Now that their one son is off to Princeton, does this mean that their life together will change? Not that she’s been all that satisfied, as she’s had to express herself through the writing which she’s all but hidden from everyone but her little writing group that she sneaks off to once a week. Eventually, her world collides with Harit’s in an unusual way, and the two of them find what friendship really means and how deeply it can enrich their lives and enable each of them to grow into their best selves.
This is a very quirky, sweet novel that highlights the immigrant experience and shows how important it is to find community and support from others. Neither of these characters has just arrived to the United States and neither is young, but both are still grappling with finding themselves in the context of their families and their histories, given their own talents, limitations, and orientations. They each reach out for friendship and learn that it may be hard to find honesty where you hope to find it.
I believe the strength of this story rests in the character development, as each character is rich and layered and colorful. Each one is traced out at different times in the story and we travel through time and country with each as they track back to the center of the action, successfully reinvigorating the story with a new understanding of each character. It is similar to the experience of getting to know those in our own lives as we ask more and more about them and learn more and more about their past.
This is an interesting read – colorful, quirky and sweet. Enjoy!
Immediately on learning that both his daughter and his sister are inside the abortion clinic where a gunman is holding hostages, Hugh knows he should recuse himself from the situation and not be the hostage negotiator. He knows he cannot be objective; but nor can he allow anyone else to do this job either. And what are they doing in there anyway? How did he not know they were there and why? What did this say about his relationship with his daughter?
And inside there is a bloody scene. The gunman has killed people but now he’s taking stock of his situation and wondering what comes next. How did he get here? It wasn’t supposed to be this messy. Or this real.
The whole story is told over the course of a day, and actually told mostly in reverse. We learn what happens, mostly, and then we hear the back stories, the histories of each of the characters who create the scene of what makes up this dramatic story of A Spark of Light. The story is steeped in fact. Characters who harass women entering the clinic (whether or not they are actually having an abortion or going there for a PAP smear) but who may have had abortions themselves, when it has suited them. Single abortion clinics trying to survive to accommodate the needs of the women in an entire state, and trying to fulfill the rules imposed mostly by rich, white men on mostly impoverished women of color. Characters like Dr. Louie Ward, depicted intentionally like the real-life hero, Dr. Willie Parker, an abortion provider who does so because of his Christian faith, not in spite of it.
In true Jodi Picoult fashion, this story is shared by many of the characters. It is told from the eyes of each character, and built gradually by adding block by block, minute by minute, how each character perceives the passing of the day and of the experience. We hear each opinion on abortion, religious and otherwise. We hear each legal perspective and each is given credence, such that each perspective can be respected. We also see that these women’s clinics serve as much more than abortion clinics as well. We also develop an appreciation for the various and desperate situations that lead women to require their procedures at a women’s health clinic.
This is an important book and serves as so much more than just a piece of fiction. Jodi Picoult never shies away from difficult subject matters and here conquers yet another. In my opinion, she’s done another great job.
Another MUST READ!
Nikki has been caught between feeling like she’d let her family down by walking out on her legal education and feeling resentful that they’d tried to control everything in her life. She couldn’t imagine letting her family arrange and control as much as her sister did – even going to the extreme of seeking a possible arranged marriage! – but then again, here she was, working in and living above a bar. Was this a better option? When an opportunity arises to teach women in an Indian cultural center to write stories about their lives, Nikki applies and gets the position. Little does she know that these women have stories to tell that will shock and amaze her. And as she comes to know these women, she comes to also uncover the mystery surrounding a single voice that has been stifled forever…
This book was surprisingly engaging and ultimately suspenseful. What started out quite innocent and almost superficial grew into a much more complicated plot and twisted and turned quite unexpectedly. Characters that one would have guessed would have been staid and traditional showed not only a cheekier side, but actually true, deep-seeded bravery. This made a book that I initially felt nonchalant about become much more meaningful to me.
I am still unsure if the sexually explicit scenes in this book are totally necessary. I am not prudish and I do not shy away from this. I know why they are here. But I felt they were a bit too long. (I almost got a little bored with the off -shooting they provided.) I’d be interested to hear what others think about this.
A worthwhile read, in the end, though. Please add comments – I’d really be interested to hear what you all think about my issues with this book!