Lila is still trying to reconcile that she is here, now, in Gilead, married to the “old man,” John Ames, the respected preacher of this tiny village, especially given her meandering, even sordid past. If he knew the details, would he have so quickly and without judgement have been willing to baptize her? Would he still love her? Is she willing to risk telling him her secrets? Lila continues to hold herself close, even as she gradually learns about love and trust from the very gentle and kind John Ames.
This is a beautiful prequel to Gilead, very gently revealing the traumatic story of Lila’s youth. We gain insight into her quiet and independent nature, reading about the tender but precarious relationship she had with her beloved Doll, the woman who snatched her away from her house of origin and who raised her and protected her as a mother lioness would protect her young. We also are with Lila as she struggles to reconcile the ironies of organized religious precepts with the practical realities of the everyman’s day-to-day life.
Once again, Robinson’s writing is exquisite. She is able to quietly release the painful details of Lila’s life just as one might accidentally drop a pearl every now and then from a fine string. She creates images and characters that are imprinted in Lila’s mind, and so too, are imprinted in ours. We feel her loneliness and we are empathetic when Lila can only feel mean, because we are entirely with her in her lived experience. And the intermixing of philosophy and theology and storytelling is so subtle that we are contemplating it without even being aware.
If you’ve read Gilead, you must read Lila – it will only enhance your understanding of the story and of yourself.