City of Girls by Elizabeth Gilbert

Vivian was never exactly interested in following in the path her nuclear family had laid out for her: school, perhaps a temporary job before she settled down to a marriage, and of course motherhood, thereby maintaining the social status comparable to that which she was born into, in her upstate NY, 1940’s, upscale community. So, when, at the age of 19, she failed out of Vassar after essentially never having attended any classes — clearly flouting this path — she was shipped down to Manhattan to live with her equally unconventional Aunt Peg. Here in the heart of the theater district (well, almost), Vivian found her freedom – the ability to explore the city, the ability to express herself in ways she could never have imagined, and also the ability to make mistakes she would gradually learn and grow from.

This novel is just as entertaining as the theater world itself, opening the curtain to both the comedy and tragedy of NYC in wartime 1940’s, the challenges of managing a theater production with all its moving parts, and underneath, the struggle of a young girl finding out who she really is in the midst of all this frenetic drama. As Vivian falls in love with the city and with her newfound theater family, we find ourselves falling in love with each of the characters. Vivian’s Aunt Peg, with all her vulnerabilities, is as generous and forgiving as anyone might be and teaches us the beauty of living in this way. Her “secretary,” Olive, a no-nonsense, teetotaler, who never hesitates to remind everyone how little money they all have, demonstrates loyalty in the most understated and compassionate ways. Peg and Olive become both the liberators and the anchors for Vivian.

The voice of the narration is also quite clever. The story is told by Vivian to Angela, and we only discover late in the game who Angela actually is. We hear her name periodically as the story unfolds, and this reminds us that we are being told a story from Vivian’s perspective to someone in particular with a particular goal. It is a confession of sorts, but without the remorse or regret a confession has because there is no sin, no misdeed. It is just an honest telling. And we love Vivian for her living her life without apology and without regret, as she has lived, for most of her life, an honest life.

This is a beautiful book of historical fiction – highly recommend this!

The Signature of All Things by Elizabeth Gilbert (migrated from bookblogger)

This gorgeously written novel is the story of Alma Whittaker, the physically and intellectually imposing daughter of a self-made botanist/pharmacist, who has a forceful need to understand their world.   Circumstances of her childhood, such as the adoption of a second daughter by her parents, and the development of her only friendship as a child, prove to have an enormous impact on the course of Alma’s life and shape the woman and scientist she grows to be.  Her life experiences take Alma and the reader to fascinating places with unusual characters and lead to some extraordinary ideas on Alma’s part.

It’s the elegant use of language that really makes this book stand out.  The imagery is stark and beautiful.  The characters are colorful and the settings often exotic. Alma is an extremely sympathetic character, in spite of all her awkwardness, and I felt myself rooting for her almost out loud at certain moments.  There is also some very interesting historical fiction and quite a bit of science to the plot and I never felt bogged down by it.

This book is smart and interesting and altogether unique. Try it!